How Parry G Turned a Last-Minute Call into Kaan Phaad Mirzapur

How Parry G Turned a Last-Minute Call into ‘Kaan Phaad’ on Mirzapur’s Official Album

How Parry G Turned a Last-Minute Call into ‘Kaan Phaad’ on Mirzapur’s Official Album

In an exclusive interview with Devbhumi Magazine, veteran rapper Parry G details how his last-minute track “Kaan Phaad” landed on the Mirzapur soundtrack, capping off a decade of film, web, and live performance achievements.

Mumbai: When the official soundtrack for the hit series Mirzapur dropped, fans were treated to a explosive mix of high-energy tracks. Among them, “Kaan Phaad” stands out not just for its relentless energy, but for the astonishing story behind its creation. In an exclusive interview with Devbhumi Magazine, veteran artist Parry G opened up about how a chance call from composer John Stewart Eduri transformed a minor background scoring assignment into a featured album track, marking yet another milestone in an already distinguished career.
​For Parry G, the journey into the Mirzapur ecosystem was neither planned nor anticipated. In a film production cycle that typically spans two years—from initial scriptwriting and pre-production through to principal photography and post-production—Parry was completely out of the frame. It was only during the final weeks before release that a crucial phone call shifted the course of his career.
​”I wasn’t anywhere in the picture,” Parry G shared during the interview. “This track came together just in the last week. John Stewart bhai, who composed the original background score for Mirzapur, called me in specifically to rap for a background score behind a single scene. It was never intended to be an official song for the album.”
​Recognizing the gravity of working alongside Eduri—a respected pillar of background scoring in the Hindi film industry with credits including Happy New Year, Ra.One, and Good Newwz—Parry chose not to treat the gig as just another background voiceover. Driven by a desire to push the track onto the official album, he wrote his verses in just thirty minutes while en route to the recording studio.
​The effort paid off immediately in the studio. Impressed by the raw delivery and elevated energy of the recording, Eduri decided to present the track directly to Mirzapur director Gurmmeet Singh. Just two days prior to the official album release, Parry received the final confirmation: “Kaan Phaad” had officially been greenlit as a standalone track on the album.
​While “Kaan Phaad” marks his latest big win, Parry G is far from a newcomer to the Indian music landscape. As the first Indian rapper to become a finalist on India’s Got Talent, he has built a versatile body of work spanning over a decade. His vocal and lyrical contributions grace major feature films such as Behen Hogi Teri starring Rajkummar Rao, Bahut Hua Sammaan starring Raghav Juyal, and Drive starring Sushant Singh Rajput. His voice has also powered high-profile digital projects, including web series like Matsya Kaand starring Ravi Dubey, Life Hill Gayi, and Glory starring Divyenndu, alongside supervising rap sections for the docu-series First Act with Amaal Mallik.
​Parry G’s dynamic range extends across mainstream hits, independent anthems, and massive live stages. As a playback rapper, he has lent his voice to popular numbers like “Ek Do Teen,” “Ding Dang,” “Dream Mein Entry,” and “Bumro Bumro” for T-Series’ Electro Folk series, while collaborating with industry giants like Palak Muchhal and Jubin Nautiyal. On the independent front, his viral “PUBG Anthem” amassed millions of views across digital platforms. His stage credentials are equally formidable, having performed alongside master percussionist Ranjit Barot and contributing vocals and rap verses to live shows with music legend A.R. Rahman. Beyond commercial success, he has used his platform for social impact, crafting “Na Karunga, Na Karne Dunga” for The Art of Living’s Drug-Free India campaign.
​Reflecting on his recent whirlwind experience with Mirzapur, Parry expressed deep gratitude to his family, divine blessings, and Eduri for believing in his versatility at such a critical moment. “I didn’t take this opportunity lightly; I grabbed it with both hands,” he remarked. “To see ‘Kaan Phaad’ included in the Mirzapur album is a major milestone, proving once again that when preparation meets opportunity, magic happens.”

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